News
After 25 Years, Bowen McCauley Dance Company Takes a Final Bow
By Robert Bettmann, Written for Washington City Paper An upcoming performance at the Kennedy Center will be a unique chance to celebrate local dance legend Lucy Bowen McCauley as her company commemorates its 25th anniversary and takes its final bow. After 25 years,...
Indian ballet dancer headlines new documentary unveiled in U.S.
By Various Authors Manish Chauhan, an Indian ballet dancer who won a scholarship to be trained at New York Ballet School, is the star in a documentary film, Call Me Dancer, which had its official trailer launch in Washington, D.C. Sept. 8, 2021. The trailer launch of...
In India, Interest in Classical Ballet Training Is on the Rise
By Dr. Luis Dias
Written for Pointe Magazine
Western classical ballet is still a very unfamiliar art form in India. But in the last few years, promising talent has begun emerging, often in dancers from disadvantaged or working-class families with no prior association with Western classical music or dance.
In the absence of live ballet performances, the entry point for most aspirants has been film, notably Bollywood, or an initial interest in other dance styles.
Kamal Singh, currently in his early 20s and from the outskirts of Delhi, is the son of a rickshaw driver. A ballet sequence in the 2013 Bollywood movie ABCD: Any Body Can Dance led him to train with a ballet instructor in Delhi, and three years later, he is studying further at the English National Ballet School.
Call Me Dancer: a Film About the Love of Hip Hop, Ballet & Mumbai
By Leslie Shampaine
Written for Indiaspora.org
“Welder’s Son from Mumbai Accepted into The Royal Ballet School in London,” were the headlines that went viral around the globe as Yehuda’s student became the first Indian to enter this elite academy.
Ballet dancers can best be compared to Olympic athletes. Behind that headline lie struggle, passion, heartache, and hard work. I know, because I was a professional ballet dancer and had attended the “Harvard” of ballet academies, the School of American Ballet, followed by a successful performing career.
Turning Point: Yehuda Maor
Article from Business Standard Weekend, March 7, 2020
Yehuda Ma’or’s jaw drops. He is reliving a moment from his childhood in the 1950s when, aged six or seven, he had just seen the film version of a Bolshoi Ballet recital of Swan Lake. “It was just ‘Wow’. I can’t explain,” says the Israeli-American, still wide-eyed some 70 years later. He grew up in the culturally rich, mostly unreligious atmosphere of a kibbutz (commune) near Haifa in Israel, where Brahms would play at home, the opera and theatre were weekly fixtures, and children took piano and singing lessons. But nothing caught his imagination quite like the light, graceful movements of ballet.